Hi Folks — I have finished tagging all of the posts by genre. Hopefully this will help to make this blog a more useful resource for finding information. The available Categories can be found on the main site, by going to www.blackwomeninrock.info.
Let me know if there are any additional comments or suggestions on how this site can be made easier to navigate. Thanks! — Jaleesa
Hi All — I’m planning on adding music genre categories to all of the posts. One of the most frequent questions I get from people tends to be related to finding Black Women Rockers who are tied to a specific genre. It has always been my intention that this blog be used as a resource above anything else, and making it easier for you to get the information you are looking for is always a priority.
Tagging the thousands of posts that have accumulated on this blog will take some time, but I will soldier through it and post another update once this process has been completed. The music genres will be listed under the ‘Categories’ section so they can easily be found.
If there’s any features you would like to see here, or if you have any other questions or comments, feel free to reach out to the blog in either the comments section on this post, or by email (firstname.lastname@example.org). I always welcome feedback and never mind serving as a sort of librarian to help anyone find information. 🙂
What would music be like without the Wild Women that have laid the foundation and those that keep the wildness flowing? We’d honestly never encountered this singing and dancing no-nonsense woman until just recently, and now,Sugar Pie DeSanto, is a mainstay.
Umpeylia Marsema Balinton was born October 16, 1935 in Brooklyn, New York to an African American mother and a Filipino father. Her parents moved their eleven children to San Francisco, California, early on in her life.
In 1955, DeSanto did some touring with The Johnny Otis Revue, and Otis gave her her stage name. From 1959-1960, she toured with The James Brown Revue, where she was once called “Lady James Brown.” Every night, Sugar Pie whipped the crowd in to a frenzy that he needed to make sure to step up his performance to avoid a letdown. “The Hardest Working Man in Show Business” later said that Sugar Pie made him “wooork!” Also part of the act for the Godfather of Soul was Tina Turnerwho once asked Sugar Pie why she was getting all the applause. Sugar Pie replied, “You gotta mooove girl!”
Living in California, she grew up with Etta James, and when DeSanto’s first marriage to Pee Wee Kingsley fell apart, she moved to Chicago, where both Sugar Pie and Etta were signed to Chess Records. They sang three powerful duets: (Do I Make Myself Clear, Somewhere Down The Line, and In The Basement.) All became hits. While Etta is a household name, Sugar Pie became the hidden gem. Sugar Pie wrote most of her songs, in addition to others for well-known musicians like Fontella Bass, Little Milton, Billy Stewart, Minnie Riperton and many more.
It is said that her stage performances far surpassed her studio recordings, at 4’11” Sugar Pie was small but, she sure carried her own.
Her 1945 crossover hit “Strange Things Happening Every Day”, a humorous jab at religious hypocrisy…may well be the first rock-and-roll song.
Gayle F. Wald, “Shout, Sister, Shout!: The Untold Story of Rock-And-Roll Trailblazer Sister Rosetta Tharpe”
SHARON LAFAYE JONES
May 4, 1956- November 18, 2016
“The brightest star in the Daptone universe, 110 pounds of Soul! Ladies and gentlemen, Miss Sharon Jones…” (via runningwiththeslugz)